Marks Place, and then up to Ninth Street and Second Avenue, to a record store called the Rat Cage. We would go down to Eighth Street and across to St. There was a guy that me and my brother Matthew were obsessed with when we were little kids, ’cause he’d just stand on the corner and say, ‘‘Call ’em out today! I got pretty flowas!’’ When we saw him standing there, we’d start walking past real slow, waiting for him to say it, and then he would: “Call ’em out today! I got pretty flowas!” And my brother and I would look at each other like, Yes. The plant shop there, next to Crazy Eddie, was there forever. When a shadow area outside seems bluish, it is because the area is getting its primary light from the blue sky.We lived on Washington Street in the West Village Houses, which my mom called ‘‘a little bit of Queens in Manhattan.’’ I would walk and get my best friend, Arthur Africano, at 10th Street and Sixth Avenue. The sky, which is reflected light from the sun, reflects light in turn upon any object beneath it. Of course, if there is more than one light source, all of the above is modified significantly because shadows and light will interfere with each other! And remember, if the artist is confused about the light and shadow, the viewer will assuredly be as well.Īlso, keep in mind that a light sky will act as a secondary, subtle source of light in addition to the sun (or moon). The shadow is darkest where it is closest to the form. Its edges are clearly delineated where it is closest to the form, and softer as it stretches away from the form. Renaissance artists realized that the light source should be placed in front of and to the left or right of the object to best model the form resulting in a pattern of shadow (D), highlight (HL), darkest dark, or core shadow (DD), and reflected light (RL).Ĭast shadow is the shadowed area on adjacent surfaces where the direct light is blocked by the form. Another part of the shadow area is the core shadow.Ĭore shadow, or terminator, is the darkest dark on the form, and it appears as a line or plane parallel to the light source, benefiting from neither direct light nor reflected light. Part of the shadow area is illuminated by reflected light. The shadow area is all area not in direct light. It is never darker than a cast shadow or lighter than the shadow area that appears on the periphery of the area in direct light. Without reflected light, all the viewer would see is the lit side, resulting in an unconvincing image. The color of the object is often most true in this area because direct light can wash out local color. For example, the shadow side of a sphere is slightly illuminated by light bouncing off the floor and onto this side of the object. Reflected light, or bounced light, is light on the dark side of the form that has been reflected onto the form by adjacent surfaces. This is important to understand because assuming that a highlight simply indicates the direction of a light source will result in a misleading rendering of the shadows.ĭirect light refers to any area on the form that directly receives light from the light source. The highlight is NEVER at a 90-degree angle to the light source, but rather between that angle and where the artist’s line of vision hits the object. Highlights are usually small and intense spots of near-white. If the surface has a protuberance somewhere else in direct light, the highlight may be on the protuberance in the area closest to the light source. If the surface is irregular, the highlight may be at the crest of the surface in direct light. Highlight refers to the bright reflection that occurs where the light directly hits the form. Light hitting a cylindrical object and the resulting pattern of shadow (D), highlight (HL), darkest dark, or core shadow (DD), and reflected light (RL). Photo by Marco Bianchetti / Unsplash Forms of Shadow and LightĪrtists refer to six basic concepts when describing the behavior of light on a form, listed here in order of brightness: highlight, direct light, reflected light, shadow, core shadow and cast shadow. For this reason, it is important for beginners to understand the nature of shadows and light. Rather, it is usually in an environment in which light is bouncing around in several directions. Beginner Drawing Tutorial on Shadows and Light ShapesĪn object is almost never in simply light and shade.
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